Breakthrough II, Robert Rauschenberg, 1965, MoMA: Drawings and Prints
Gift of the Celeste and Armand Bartos Foundation
Size: composition (irreg.): 44 x 31 1/16" (111.8 x 78.9 cm); sheet: 48 ½ x 34 1/8" (123.2 x 86.6 cm)
Medium: Lithograph
Infinity Field, Lefkada Series, 1980, Theodoros Stamos
Untitled, 1960s
Etching and embossing on wove paper
![ortut:
Bridget Conn - Mantra #7 (Persists), 2020[Gelatin silver photo, chemigrams, thread]](https://64.media.tumblr.com/98f81d12efbeb282c2b3522b2f0df76a/b545c59b719cc66e-a7/s500x750/1910f1bb16a4366e9abf82bf70f6ca1041abfcdd.png)
ortut :
Bridget Conn - Mantra #7 (Persists), 2020
[Gelatin silver photo, chemigrams, thread]
Amparo de la Sota is b.1963.
Daughter of painters she soon began her artistic training. She studied Arabic Philology and lives in Madrid, Spain.
She spoke about her creative process: “I “build” my work with irregular pieces of old fabrics. Rags, pieces of torn and worn fabrics, with some carefully embroidered initial. Heavy, thick linen fabrics that reach me from the past. With them I have recreated a map, a landscape in which to place them. Fabrics present in all homes, that are part of the past of all of us, objects that were once daily and that I wanted to bring to the present to admire and transform. And while I was embroidering it, I was not aware that another drawing, another pattern appeared on the back of the work, just like an insect, without realizing it, leaves its trail in the sand.”
cyenping :
《程式/城市/塵世之一》PCB, Programs/Civilizations/Beings NO.1
45.5 × 53.0 cm / 49.5 × 57.0 × 4.0 cm (framed), 10F, 2018
四通八達的馬路、條理分明的空間、一天24小時，就像自有主宰一切的程式設計者，透過印刷電路板(PCB, Printed circuit board)，將人、自然、工業產物緊密地連結著。
cyenping :
《寓思、那山之三》Spiritual Of Hillside Architecture NO.3
45.5 × 53.0 cm / 49.5 × 57.0 × 4.0 cm (framed), 10F, 2018
雖然只是腦海內的虛像場所，但正是自我本質最真切的證明，山是自我之中映照自我的鏡，山景與建築合而為一，成為完整的自覺體現。
Ilse D'Hollander (Belgian, 1968–1997), Fraying, 1995, 53 x 45 cm
Paul Klee, Fruits on Red ( or The Handkerchief of the Violinist), 1930
gilgai :
Donald Sultan, Black flowers Sept 26 1999, woodblock (1999), Tyler Graphics Ltd, Mount Kisco, New York © Donald Sultan. National Gallery of Australia NGA 2002.1.1492.6
Harbor Number 1, Agnes Martin, 1957, MoMA: Painting and Sculpture
Gift of Agnes Gund and Committee on Painting and Sculpture Funds
Size: 49 ¾ x 40" (126.3 x 101.6 cm)
Medium: Oil on canvas
Neil Bousfield is a British artist working in relief printmaking and contemporary wood engraving. His recent work explores the landscapes of the North Norfolk coast and the changing geography of time and place. He sketches on location, walks, researches and imagines to make his layered prints. The balance of gentle hues and the play of line and texture give Bousfield’s work a timeless quality.
aviel :
Jean (Hans) Arp - Composition with Seven Elements (plate, folio 5) from 23 Gravures (1935)
Original Fine Art By © Vicki Wood in the DailyPaintworks.com Fine Art Gallery
Nigel Henderson,Collage for Patio and Pavilion (the growth of plant forms) 1956
![arthuntblog:
Kishio Suga [Japan] (b 1944) ~ ‘Cause of Directionality’, 2016. Wood, paint (183 x 131.5 x 10 cm).](https://64.media.tumblr.com/2f24a17c837a192f6c7ffeb10c3f277f/a33bc585eefb5cfe-70/s500x750/46c3c178c5af2bd1d286576d8fb56249374f82c7.jpg)
Kishio Suga [Japan] (b 1944) ~
‘Cause of Directionality’, 2016.
Wood, paint (183 x 131.5 x 10 cm).
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