@heavensghost

serratedpens:

Danez Smith, “It Began Right Here”

tapireye:

Skeleton Fairy-Print Silk Evening Gown by Alexander McQueen ( c. 2007 )

saintophelia :

babygirl you are strange and offputting

flowerais :

Pema Chödrön, “Start Where You Are”

neptuniani :

devon aoki backstage at jeremy scott, 1999

hatingongodot:

People making typos in groupchats and then getting whaled on is extremely funny unless I am the one making the typo, in which case you guys are not funny and being very immature

productiondesign :

Valerie and Her Week of Wonders • 1970 • Jaromil Jireš 

bellafleurs:

cellphonehippie :

I, I stayed there
Dust collected on my pinned-up hair

arsvitaest :

Reiji Hiramatsu, Cherry Trees and Water Lilies, 2011
Musée de Impressionnismes Giverny, France

filmgifs :

“Beware of false prophets, which come to you in sheep’s clothing, but inwardly they are ravening wolves.”

The Night of the Hunter (1955) dir. Charles Laughton

luthienne :

Nikki Giovanni, from “Adulthood II”

afghan-blood :

“Strange how we decorate pain.”

— Margaret Atwood, from Oh (via splitterherzen)

incel:

when british people are alone they’re like fuck i can finally drop this ridiculous accent

moviequotes3:

i have to tell you something. if you pour water into a hole of dirt and put grass in it and mix it around it makes something. Its called potion

ophanic:

daughters who get told they look like their fathers need to unionize

enby-positive :

Here’s a hot freaking take guys but nobody gets to tell anybody else how they experience themselves. Somebody has a gender you don’t understand? Tough. That’s how stuff works sometimes. I don’t understand French but the language still exists.

nightcorp-archive:

firstfullmoon :

“How is it possible to hate something so completely and then suddenly love it so unreasonably?”

— Zadie Smith, from “Some Notes on Attunements,” in Feel Free: Essays

seravph:

firstfullmoon :

“People ask: what’s it like standing up there? It’s like eating your own heart out. It’s like there’s nobody out there in the dark at all.”

— Zadie Smith, from “‘Crazy They Call Me,’” in Feel Free: Essays

insteadofdisappearing :

from “a hunger like no other” || sk osborn

weltenwellen :

Jonice Webb, Running on Empty: Overcome Your Childhood Emotional Neglect

lovecontact:

the three act structure: a narrative model consisting of setup, confrontation, and resolution through use of the word asshole in the social network (2010)

interestingly, fictional mark zuckerberg’s characterization and story arc can be defined by the only three instances of the word asshole being directed at him

janasojka:

Fragments.

golden-age-of-wireless :

BRUNO MUNARI - FROM IMAGES OF REALITY