My heart will not deliver me from my memories…
It was a November night… Aimé Césaire, from And The Dogs Were Silent (tr. by A. James Arnold & Clayton Eshleman), 1958
A minute too heavy or too beautiful has weighed on me for a long time Aimé Césaire, from And The Dogs Were Silent (tr. by A. James Arnold & Clayton Eshleman), 1958
Last sun.
I explode. I am fire, I am sea. The world is dissolving. But I am the world Aimé Césaire, from The Thoroughbreds (tr. by A. James Arnold & Clayton Eshleman)
The stars are rotting in the sidereal swamps
but I advance more sure and more secret and more terrible than the rotting star. Aimé Césaire, from The Great Noon (tr. by A. James Arnold & Clayton Eshleman)
oh those queens I once loved in the remote gardens of spring Aimé Césaire, from Cahier d’un Retour au Pays Natal: LXXXVII (tr. by A. James Arnold & Clayton Eshleman)
When the lithe moonlight silently
Leaped like a satyr to the grass,
Filling the night with nakedness,
All silently I loved my love
In gardens of white ivory. E.E. Cummings, from Nocturne; Collected Poems: 1904-1962
touching you i say (it being Spring
and night) “let us go a very little beyond
the last road — there’s something to be found” E.E. Cummings, from “touching you i say”; Collected Poems: 1904-1962
I love you.
Does the blossom study her day of life?
Is the butterfly vexed with an hour of soul?
I had rather a rose than live forever. E.E. Cummings, from “I love you”; Collected Poems: 1904-1962
come a little further — why be afraid —
here’s the earliest star (have you a wish?)
touch me,
before we perish E.E. Cummings, from “come a little further”; Collected Poems: 1904-1962
I knew your presence in the twilight mist,
In the world-filling darkness, in the rain
That spoke in whispers, E.E. Cummings, from Sonnet (“No sunset”); Collected Poems: 1904-1962
o live with me in the fewness of
these colours;
alone who slightly
always are beyond the reach of death E.E. Cummings, from “come a little further”; Collected Poems: 1904-1962
The Grande valse brillante in E-flat major, Op. 18, was composed by Frédéric Chopin in 1833 and published in 1834. This was his first published waltz composition for solo piano, although prior to 1834 he had written at least sixteen waltzes that were either destroyed or eventually published posthumously.
Opening bars of Op. 18 in E Flat Major.
Chopin also gave the title Grande valse brillante to the next three waltzes in the Op. 34 set, published in 1838.
In 1909, Russian composer Igor Stravinsky made an orchestral arrangement of this waltz for Sergei Diaghilev’s 1907 ballet Les Sylphides. Other composers who orchestrated this waltz for that ballet are Alexander Gretchaninov, Gordon Jacob, Roy Douglas, and Benjamin Britten.
for only Nobody knows
where truth grows why
birds fly and
especially who the moon is. E.E. Cummings, from “my darling since”; Collected Poems: 1904-1962
in average
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