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Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
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Wes Anderson Wednesday:
Isle of Dogs (2018)
Director: Wes Anderson
Cinematographer: Tristan Oliver
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Jojo Rabbit (2019)
“You’re not a Nazi, Jojo. You’re a ten-year-old kid who likes swastikas and likes dressing up in a funny uniform and wants to be part of a club, but you’re not one of them.”
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IN THE CUT’S TOP 10 FAVORITE INTERNATIONAL FILMS OF ALL TIME
- PARASITE (2019); directed by Bong Joon-Ho
- METROPOLIS (1927); directed by Fritz Lang
- 8 ½ (1963); directed by Federico Fellini
- RASHOMON (1950); directed by Akira Kurosawa
- PIERROT LE FOU (1965); directed by Jean Luc-Godard
- COLD WAR (2018); directed by Pawel Pawlikowski
- VOLVER (2006); directed by Pedro Almodovar
- CINEMA PARADISO (1988); directed by Giuseppe Tornatore
- LIFE IS BEAUTIFUL (1997); directed by Roberto Benigni
- WALTZ WITH BASHIR (2008); directed by Ari Folman
IN THE CUT’S TOP 10′S COUNTRY OF ORIGIN AND FILM MOVEMENTS
- PARASITE (South Korea)
- METROPOLIS (Germany- German Expressionism)
- 8 ½ (Italy- Italian Neorealism)
- RASHOMON (Japan- Japanese New Wave)
- PIERROT LE FOU (France- French New Wave)
- COLD WAR (Poland)
- VOLVER (Spain)
- CINEMA PARADISO (Italy)
- LIFE IS BEAUTIFUL (Italy)
- WALTZ WITH BASHIR (Israel)
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Wes Anderson Wednesday:
Fantastic Mr. Fox (2009)
Director: Wes Anderson
Cinematographer: Tristan Oliver
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You know my chances of winning with this ticket? Fifty-fifty. Jackpot, or not. Guilty, or not. Think simply. The probability is always half and half.
Save the Green Planet! (2003), dir. Jang Joon-hwan
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“Bachchon ke usoolon pe duniya chalti to jannat ban gayi hoti” (‘The world would have become heaven if it were run on children’s principles.’)
Hamid (dir. Aijaz Khan, 2018)
0Eu sou a Mariana e estou escrevendo direto d’A Toca da Coelha
Após a indicação de O Farol para o Oscar de Melhor Fotografia, eu acho que essa lista, que já teve a primeira parte, ficou mais importante do que nunca. Infelizmente o filme não levou o prêmio, mas acho que já é um sinal de que filmes de terror estão com cada vez mais qualidade e beleza.
1 - O Farol (2019) - Dir. de Fotografia: Jarin Blaschke
2 - Raw (2016) - Dir. de Fotografia: Ruben Impens
3 - Enviada do Mal (2015) - Dir. de Fotografia: Julie Kirkwood
4 - Vingança (2017) - Dir. de Fotografia: Robrecht Heyvaert
5 - Os Olhos de Minha Mãe (2016) - Dir. de Fotografia: Zach Kuperstein
6 - Labirinto do Fauno (2006) - Dir. de Fotografia: Guillermo Navarro
7 - Suspiria (1977) - Dir. de Fotografia: Luciano Tovoli
8 - Nós (2019) - Dir. de Fotografia: Mike Giulakis
9 - Midsommar - O Mal não Espera a Noite (2019) - Dir. de Fotografia: Pawel Pogorzelski
10 - In Fabric (2019) - Dir. de Fotografia: Ari Wegner
Até o próximo post!
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