31 Days of Halloween - Beetlejuice (1988) dir. Tim Burton
-You’re like… my guardian angel.
-For crying out loud. Hey, Beth? Fuck you. Shaibel isn’t the only one who kept after you all these years. I know how you lost to Benny Watts in Vegas and then beat him in Ohio. I read the papers. Even on a group trip into town, I spent my ice cream money on the damn chess magazine had your ugly face on it. For a time, I was all you had. And for a time, you was all I had. We weren’t orphans. Not as long as we had each other. You understand what i’m saying? I’m not your guardian angel. I’m not here to save you. Hell, I can barely save me. I’m here because you need me to be here. That’s what family does. That’s what we are.
Anya Taylor-Joy as BETH HARMON
The Queen’s Gambit S1 EP3 “Doubled Pawns”
The Queen’s Gambit (2020) | 2x02 “Exchanges”
just some manservant looking at his king late at night in the woods
VERA FARMIGA & PATRICK WILSON talk about what’s coming in THE CONJURING 3: THE DEVIL MADE ME DO IT.
Pride & Prejudice (2005) Dir. Joe Wright
i knew you’d come back to me (you’d come back to me.)
When there’s no more room in hell, the dead will walk the earth.
DAWN OF THE DEAD (1978) | dir George A. Romero
In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends. (Ratatoiulle 2007)
I can’t lose you again.
BARBARIANS (2020-) | star. Laurence Rupp & Jeanne Goursaud
Hannibal 2x06 - “Futamono“
RACHEL GATINA | ONE TREE HILL