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Porete's use of erotic and gendered language is, like that of her fellow beguines Mechthild and, particularly, Hadewijch, remarkably complex. As the example offered here suggests, however, unlike Mechthild and Hadewijch—or perhaps better, more starkly than they—Porete posits the goal of the soul as the eradication of any distinction between herself and the divine. Porete evokes this union without distinction through the unsaying or apophasis of gender and the displacement of Christ's body as the center of religious devotion. With the overcoming of gender comes also the annihilation of desire and radical detachment from the body. (Perhaps the starkest evidence of this detachment from the body lies in the fact that Porete never mentions the doctrine ofbodily resurrection.) With the annihilation of gender, will, and desire, also comes an end to the painful and ecstatic eroticism that runs throughout the texts of Mechthild and Hadewijch.

Amy Hollywood, "Sexual Desire, Divine Desire: Or, Queering the Beguines", Toward a Theology of Eros: Transfiguring Passion at the Limits of Discipline, ed. Virginia Burrus and Catherine Keller

Ella Raines, c.1943 🎞

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Kay Francis

Comet Over Broadway

Warner Bros (1938)

Johnny Depp at the Transcendence Press Conference at the Grand Hyatt Hotel in Beijing, China (March 31, 2014)

Re: Johnny Depp as Will Caster In Transcendence (2014) dir. Wally Pfister

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I have argued elsewhere that Porete's pursuit of annihilation is a result of her desire to escape the intense suffering engendered by endless desire and "mad love." Absolute union with the divine occurs through the sacrifice of desire by desire. Yet the resulting loss of distinction between the soul and the divine also radically subverts, even erases, gender distinctions, a move both dependent on and subversive of the text's homoeroticism. (Porete uses the femininity of the Soul and Love to elicit pronominal ambiguities in which the gap between them is erased.) Porete's work, with its distrust of spiritual delights, ecstasies, and visions, stands in a critical relationship to that of her beguine predecessors. This is evident in her relationship to the imagery of erotic love. For Porete, like Hadewijch, Love is the primary name of the divine and she at times makes use of language and imagery derived from the Song of Songs, yet always in ways that undermine the initial gendered dichotomy between lover and beloved. This subversion seems dependent, as it is in Hadewijch, on a displacement of Christ's body.

Amy Hollywood, "Sexual Desire, Divine Desire: Or, Queering the Beguines", Toward a Theology of Eros: Transfiguring Passion at the Limits of Discipline, ed. Virginia Burrus and Catherine Keller

Best Dressed of The Year 2021 143/365

Andra Day wore Aliétte at ESSENCE Black Women in Hollywood Awards

Best Dressed of The Year 2021 142/365

Laverne Cox wore  Lavie By Claude Kameni at ESSENCE Black Women in Hollywood Awards 

Marilyn Monroe photographed by Philippe Halsman, 1954.

In the dialogues that make up Marguerite Porete's (d. 1310) The Mirror of Simple Souls, Porete similarly employs the feminine figure of Love as the most prominent representation of the divine. She goes even further than Hadewijch, moreover, in suggesting that while Christ and Christ's body play a crucial role in the path of the soul to union with love, ultimately the role of the body and of Christ will be surpassed. Instead, the female soul engages in a loving dialogue both with Lady Love and with the feminine Trinity, giving the text an intensely homoerotic valence absent in Mechthild's heterosexual account of the love between the soul and Christ and Hadewijch's transvestitism, in which the female soul becomes male in order to pursue Lady Love. Porete's Love and Soul provide a representation of those souls who have become so free of all created things, including will and desire, that they are indistinguishable from the divine

Amy Hollywood, "Sexual Desire, Divine Desire: Or, Queering the Beguines", Toward a Theology of Eros: Transfiguring Passion at the Limits of Discipline, ed. Virginia Burrus and Catherine Keller

Christian Bale as Batman/Bruce Wayne in The Dark Knight (2008) dir. Christopher Nolan

Joey King - voguesque--style

Johnny Depp photographed by John Midgley (2004)

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There is clearly no straight road from medieval mystical writings to contemporary practices and politics. In the writings of the beguines, desire is both a resource, an opportunity, and a problem—a problem to which Mechthild, Hadewijch, and Marguerite respond in very different ways. The divergence between them shows that although we cannot simply identify these women's accounts of religious experience with human sexual practices, what they write about their relationship to the divine originates in and remains tied to their experiences of themselves as embodied and desirous human beings. And even the most apparently heteronormative texts queer sexuality in that the object of this desire is not another human being, but (a) divine (Godman). The ecstasies of religion and those of sexuality are metaphorically linked at least in part because of their shared bodiliness, intensity, and tendency toward excess, an excess that, in the case of Marguerite Porete, leads to the subversion of the very grounds from which it emerges.

Amy Hollywood, "Sexual Desire, Divine Desire: Or, Queering the Beguines", Toward a Theology of Eros: Transfiguring Passion at the Limits of Discipline, ed. Virginia Burrus and Catherine Keller

बॉलीवुड ब्रीफ: 20 साल बाद तेलुगु सिनेमा में लौटेंगी शिल्पा शेट्टी, आदिल हुसैन की अपील- मस्जिदों को कोविड हेल्थकेयर सुविधाओं में तब्दील किया जाए

बॉलीवुड ब्रीफ: 20 साल बाद तेलुगु सिनेमा में लौटेंगी शिल्पा शेट्टी, आदिल हुसैन की अपील- मस्जिदों को कोविड हेल्थकेयर सुविधाओं में तब्दील किया जाए

Ads से है परेशान? बिना Ads खबरों के लिए इनस्टॉल करें दैनिक भास्कर ऐप 19 मिनट पहले शिल्पा शेट्टी करीब 20 साल बाद तेलुगु सिनेमा में वापसी करने जा रही हैं। रिपोर्ट्स की मानें तो उन्हें महेश बाबू स्टारर ‘SSMB28’ में अहम किरदार निभाने के लिए अप्रोच किया गया है। त्रिविक्रम श्रीनिवास के निर्देशन में बन रही इस फिल्म में वे महेश बाबू की आंटी के रोल में दिख सकती हैं। हालांकि, अभी तक इसकी आधिकारिक पुष्टि…

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la being a city that people move to to start a “new” life or work on their careers in the entertainment (or creative) industry makes a lot of sense for a city with an aries stellium (mercury, saturn, sun, venus, uranus, pluto) and a leo north node.