a recording of
women laughing.
a melody.
the trumpeter
tells us to mix it;
to change it.
a second long.
what can i change
about a second?
its brevity makes
it almost nothing.
should i hammer at it?
should i grind it down more?
or lengthen.
make it span a decade,
or more.
there is menace.
the tinkling snickers
compressed into
violence.
a fugue in d minor.
a harpsichord of
battered anomalies.
i am john cage,
nailing my screws into
pianos.
beating, and pounding, and striking,
and nailing nailing nailing
nailing nailing nailing
nailing the iron into the ebony wood.
i will make something
beautiful.
vividly beautiful.
my destruction will
be a creation in of itself.
if you take the handle of an
axe and replace it, is it
the same axe?
is it the same axe you gripped
before?
if i take the laugh
from the laughter,
what is it then?