#vimeo Tumblr posts

  • She’s a natural!

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  • A pretty sweet right-handed swing.

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  • Im Rahmen der Modenschau 2020 inszenieren Studierende und Absolvent*innen des Fachbereiches Gestaltung der FH Bielefeld am 24. und 25.01.2020 ihre Semesterarbeiten und Abschlusskollektionen in der WissensWerkStadt Bielefeld. Mode bekleidet – und ist ein Medium, der Gesellschaft Positionen, Wünsche und Fragen aufzuzeigen. Modedesigner übersetzen ihre Ideen in Bekleidung und finden dadurch einen spezifischen Ausdruck für ihre Zeit. In ihren Seminararbeiten und Kollektionen befassen sich die Studierenden und Absolvent*innen mit Identität und Gender, Recycling und Nachhaltigkeit, Hand- werk und Herkunft – Themen und Positionen, die zeitgenössische gesellschaft- liche Diskurse widerspiegeln. Medial erweitert wird die Modenschau von Digital Media and Experiment, der neuen Studienrichtung am FB Gestaltung. Mit Methoden der experimentellen Animation, Augmented Reality und Interaktionsgestaltung verarbeiten die Stu- dierenden Fotos, Videos, Textilien und Konzepttexte der präsentierten Kollek- tionen. So wird sichtbar, was hinter dem kreativen Prozess von Modedesign steckt. Präsentiert werden ein Videobühnenbild, eine interaktive Fotobox und virtuelle animierte Plakate. Diese medialen Interventionen machen die Veran- staltung zu einem offenen Kunstwerk, das die Besucher einlädt, sich selbst zu inszenieren und im digitalen Raum zu spiegeln. Im Sinne des Remix und der Collage werden die Besucher damit zu Mitgestaltern und Protagonisten der medienübergreifenden Inszenierung der Modenschau.

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  • I can C by Petitom

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  • Stay Home by Petitom

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  • The story of the student who became a planet hunter. When Anne Dattilo attended a guest lecture at the University of Texas she had no idea it would be the start of a journey involving complex algorithms, a space telescope breaking down in orbit, a trip to an observatory in the Chihuahuan desert and, finally, the discovery of two new planets. Creative: Google Creative Lab / Xavier Barrade, Daisy Ifama, Suzie Redfern Animation Studio: Buck / Orion Tait, Yker Moreno, Jon Gorman Director: Daniel Soares Exec. Producer: Anne Skopas Line Producer: Billy Mack Cinematographer: Christophe Colette Editor: Dylan Edwards Original Score: James William Blades Sound Design: Raphael Ajuelos Color: Seth Ricart / RCO Color AD: Augie Alcala PM: John Reeder 1st AC: Zachary Sprague 2nd AC: Alex Ybarra Grip: Justin Syeb Gaffer: Greg Travis Sound: Andrew Smetek PA: Carol Murrah, Raven Bosch, Ellie Enright Client: Google

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  • The story of the student who became a planet hunter. When Anne Dattilo attended a guest lecture at the University of Texas she had no idea it would be the start of a journey involving complex algorithms, a space telescope breaking down in orbit, a trip to an observatory in the Chihuahuan desert and, finally, the discovery of two new planets. Creative: Google Creative Lab / Xavier Barrade, Daisy Ifama, Suzie Redfern Animation Studio: Buck / Orion Tait, Yker Moreno, Jon Gorman Director: Daniel Soares Exec. Producer: Anne Skopas Line Producer: Billy Mack Cinematographer: Christophe Colette Editor: Dylan Edwards Original Score: James William Blades Sound Design: Raphael Ajuelos Color: Seth Ricart / RCO Color AD: Augie Alcala PM: John Reeder 1st AC: Zachary Sprague 2nd AC: Alex Ybarra Grip: Justin Syeb Gaffer: Greg Travis Sound: Andrew Smetek PA: Carol Murrah, Raven Bosch, Ellie Enright Client: Google

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  • The term ‘domestic abuse’ is usually perceived as a man attacking a woman. However, last year 695,000 men were victims of this crime. Only 1 in 20 men will actually tell someone about their partners’ abuse as they feel embarrassed and fear that they won’t be believed. The brand Mankind focuses on a campaign to get the general public talking about male domestic abuse and encouraging men to seek help. The brand tackles the taboo topic of male domestic violence by voicing victims through hidden messaging and using augmented reality to reveal the stories.

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  • I skyggen af COVID-19 har vi været nødsaget til at rykke vores sociale færden i stigende grad over i det digitale, både når det gælder det private såvel som i arbejdslivet. Dette er et bæredygtigt og accelerende behov, og en af de redskaber, der nærmest er skræddersyet til en verden efter pandemi er Social VR. I denne film kan du blive klogere på, hvor tæt vi er på at kunne have en velfungerende hverdag i det virtuelle, og samtidigt lade dig inspirere til at tænke i alternative baner. En stor tak, til de platforme, som er frontløber på dette felt.� Det skal også lyde en stor tak til Therkel Sand Therkelsen for at låne os nogle optagelser fra sit interview med Berlingske ! Denne gennemgang inkludere følgende: Mozilla Hubs, Rumii, Glue Collaboration, VirBELA , Meetin VR, RecRoom, AltspaceVR , Bigscreen

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  • The story of the student who became a planet hunter. When Anne Dattilo attended a guest lecture at the University of Texas she had no idea it would be the start of a journey involving complex algorithms, a space telescope breaking down in orbit, a trip to an observatory in the Chihuahuan desert and, finally, the discovery of two new planets. Creative: Google Creative Lab / Xavier Barrade, Daisy Ifama, Suzie Redfern Animation Studio: Buck / Orion Tait, Yker Moreno, Jon Gorman Director: Daniel Soares Exec. Producer: Anne Skopas Line Producer: Billy Mack Cinematographer: Christophe Colette Editor: Dylan Edwards Original Score: James William Blades Sound Design: Raphael Ajuelos Color: Seth Ricart / RCO Color AD: Augie Alcala PM: John Reeder 1st AC: Zachary Sprague 2nd AC: Alex Ybarra Grip: Justin Syeb Gaffer: Greg Travis Sound: Andrew Smetek PA: Carol Murrah, Raven Bosch, Ellie Enright Client: Google

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  • A performance conceived for Chris Reeves’ and Aaron Walker’s Expanded Art History for Plants #4: The Sound of Utopia at the University of Illinois, Chicago, May 11 2016, then reconfigured for the Hothouse Archives conference at NYU in November 2018, organized by Suzanne Anker and Sabine Flach. A version extended over 4 weeks was performed in April 2019 at Anytime Dept., Cincinnati, during the exhibition Songs the Plants Taught Us. The fourth installment of EAHFP sails around Sir Thomas More’s island of Utopia, attempting to wrap its head around the idea that we will never know what More actually sounded like. What more (or More), critical consensus has never been reached on just what More meant of the Utopia island’s musical entertainment section: Musica Reservata. What IS agreed upon, however, is that whatever this music is, it is something new: a relationship between words and sound, symbolic expression & artistry unheard of. Imagining that More’s Utopia band were to be present today, what might they sound like? EAHFP #4 anchors into the sand, sets up speakers, and attempts to deliver an aural equivalent of the sound of Utopia in all its contemporary glory. (Reeves/Walker) Named after Luis Eduardo Luna’s recordings of Peruvian ayahuasceros’ healing songs, this “bad music” seminar features strange vinyl recordings inspired by plants, gardens and agricultural utopian thought like Charles Fourier’s: “A group of Maiden Strawberry-growers arrives at the end of the session. They have been cultivating a strawberry-ringed glade in the neighboring forest.” Selections will be played from bizarre horticulturally-inspired records accompanied by readings and discussion of plant-human relationships, myths, and metaphors. The seminar kicks off with Morgan Fisher’s “Jerusalem,” 1980, that scores William Blake’s story of Jesus’s visit to Glastonbury, “…England’s green & pleasant land,” but which buries this alternative UK national anthem beneath a cacophonous musical collage. Post-punk selections include Rudimentary Peni’s “The Gardener,” 1981, a worryingly benign paean to gardening from Nick Blinko’s band, best known for anarcho-noise. Also featured are TV Personalities’ “In A Perfumed Garden,” 1982, and The Mud Hutters’ “Cultivation,” 1980, that includes the lines “Cultivation, cultivation / Hit it in the head / Culture, culture.” We listen to hallucinogen casualties like crooner Johnny Arcesi whose ode to a leaf, simply titled “Leaf,” was self-released as Arcesia on the remarkable 1971 LP Reachin’. Rodd Keith, the greatest song-poem performer, sings “Stroll Through the Wildflowers,” from the late 1960s. Keith’s exceptional skill could turn any poetic drivel into astonishing music, but his misplaced commitment to pay-per-song work was supporting a serious drug habit. Still on the hallucinatory side of flower power is Pastor John Rydgren singing “Dark Side of the Flower,” 1968. The original hip priest with the sexy voice, a Lee Hazlewood for Christians, Rydgren’s lyrics include the presciently rhizomatic “Can love survive, clinging only in one small garden?…They feel their roots deep in the soil, their roots touching the roots of other flowers.” We will also try to discuss the incomprehensible work of enigmatic Dutch singer Harry Merry whose “Village Life in 1905,” 2005, validates his claim to be influenced by The Beatles, Disney, Charles Dickens, Mozart, Beethoven, and Wagner: “Near the hay / I will stay, / Because I like it here / And now in the year 1905 / I feel so alive; cosy village-windmills; mud-hills / Tulips of large amount / Make me all think of thou / Lalalalalalala…” In the interests of no soil left unturned, we will evaluate vinyl records promoting controversial theories of plant-human communication starting with Ann Chase’s A Chant for your Plants, 1976. Chase’s sleeve notes explain that a plant “may become emotionally involved when sexual relations are performed near it” and recommends to “Place your favorite plant in your bedroom and see what happens.” In her 1973 The Sound of Music and Plants Dorothy Retallack’s contested research reveals the right melodies to stimulate plant growth. However, her pseudo-science, informed by prior “study” concerning the effects of prayer on plants, may have been compromised by an open dislike for rock music and her support for Nixon’s War on Drugs. Dr. George Milstein’s Music To Grow Plants, 1975, may have the edge on Retallack as his plant-stimulating sounds “have been electronically embedded in this record” where “Every effort has been made to camouflage them.” Only the careful listening and analysis of our seminar can arrive at a verdict on these compelling assertions.

    #IFTTT#Vimeo#art 360 #listening to the land
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  • The story of the student who became a planet hunter. When Anne Dattilo attended a guest lecture at the University of Texas she had no idea it would be the start of a journey involving complex algorithms, a space telescope breaking down in orbit, a trip to an observatory in the Chihuahuan desert and, finally, the discovery of two new planets. Creative: Google Creative Lab / Xavier Barrade, Daisy Ifama, Suzie Redfern Animation Studio: Buck / Orion Tait, Yker Moreno, Jon Gorman Client: Google Director: Daniel Soares Exec. Producer: Anne Skopas Line Producer: Billy Mack Cinematographer: Christophe Colette Editor: Dylan Edwards Original Score: James William Blades Sound Design: Raphael Ajuelos Color: Seth Ricart / RCO Color AD: Augie Alcala PM: John Reeder 1st AC: Zachary Sprague 2nd AC: Alex Ybarra Grip: Justin Syeb Gaffer: Greg Travis Sound: Andrew Smetek PA: Carol Murrah, Raven Bosch, Ellie Enright

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  • The story of the student who became a planet hunter. When Anne Dattilo attended a guest lecture at the University of Texas she had no idea it would be the start of a journey involving complex algorithms, a space telescope breaking down in orbit, a trip to an observatory in the Chihuahuan desert and, finally, the discovery of two new planets. Creative: Google Creative Lab / Xavier Barrade, Daisy Ifama, Suzie Redfern Animation Studio: Buck / Orion Tait, Yker Moreno, Jon Gorman Client: Google Director: Daniel Soares Exec. Producer: Anne Skopas Line Producer: Billy Mack Cinematographer: Christophe Colette Editor: Dylan Edwards Original Score: James William Blades Sound Design: Raphael Ajuelos Color: Seth Ricart / RCO Color AD: Augie Alcala PM: John Reeder 1st AC: Zachary Sprague 2nd AC: Alex Ybarra Grip: Justin Syeb Gaffer: Greg Travis Sound: Andrew Smetek PA: Carol Murrah, Raven Bosch, Ellie Enright

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  • The story of the student who became a planet hunter. When Anne Dattilo attended a guest lecture at the University of Texas she had no idea it would be the start of a journey involving complex algorithms, a space telescope breaking down in orbit, a trip to an observatory in the Chihuahuan desert and, finally, the discovery of two new planets. Creative: Google Creative Lab / Xavier Barrade, Daisy Ifama, Suzie Redfern Animation Studio: Buck / Orion Tait, Yker Moreno, Jon Gorman Client: Google Director: Daniel Soares Exec. Producer: Anne Skopas Line Producer: Billy Mack Cinematographer: Christophe Colette Editor: Dylan Edwards Original Score: James William Blades Sound Design: Raphael Ajuelos Color: Seth Ricart / RCO Color AD: Augie Alcala PM: John Reeder 1st AC: Zachary Sprague 2nd AC: Alex Ybarra Grip: Justin Syeb Gaffer: Greg Travis Sound: Andrew Smetek PA: Carol Murrah, Raven Bosch, Ellie Enright

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  • Download Futuristic Matrix Grid Particles Background 05 - https://ift.tt/2ZEAoz0 Contact for customization https://ift.tt/2YicvKm (I made a video for you) Futuristic digital generated motion abstract matrix particles de-focus grid in cyber space digital background environment Last Update 2 April 20 Created 2 April 20 Alpha Channel No Looped Video No Frame Rate 25 Resolution 3840x2160 Video Encoding Apple ProRes 422 File Size 1.64gb Number of Clips 1 Total Clip(s) Length 0:20 Tags abstract, binary code, cyber space, defocused, digital environment, digitally generated, futuristic, grid background, matrix, matrix concept, mysterious, particles grid, perspective grid, technology concept, virtual reality tags: abstract, binary code, cyber space, defocused, digital environment, digitally generated, futuristic, grid background, matrix, matrix concept, mysterious, particles grid, perspective grid, technology concept, virtual reality download Futuristic Matrix Grid Particles Background 05 | Motion Graphics - Videohive template https://ift.tt/2ZEAoz0 Contact for customization https://ift.tt/2YicvKm (I made a video for you) There is none directly downloadable links in this Channel All the links are refered to official website. This Channel only indexs the products and links. The products information and the links are only used to spread them. Our Channel makes the products seen by more customers. Everyday there is new buyers reaching to official page from our channel If you do not want your products listing in our Channel , or want to delete them, please let us know. We will take them down as soon as possiable. Feel free to contact us https://ift.tt/2ukKo1Y

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  • Download Futuristic Matrix Grid Particles Background 02 - https://ift.tt/2ysYVfl Contact for customization https://ift.tt/2YicvKm (I made a video for you) Futuristic digital generated motion abstract matrix particles de-focus grid in cyber space digital background environment Last Update 31 March 20 Created 31 March 20 Alpha Channel No Looped Video No Frame Rate 25 Resolution 3840x2160 Video Encoding Apple ProRes 422 File Size 1.72gb Number of Clips 1 Total Clip(s) Length 0:20 Tags abstract, binary code, cyber space, defocused, digital environment, digitally generated, futuristic, grid background, matrix, matrix concept, mysterious, particles grid, perspective grid, technology concept, virtual reality tags: abstract, binary code, cyber space, defocused, digital environment, digitally generated, futuristic, grid background, matrix, matrix concept, mysterious, particles grid, perspective grid, technology concept, virtual reality download Futuristic Matrix Grid Particles Background 02 | Motion Graphics - Videohive template https://ift.tt/2ysYVfl Contact for customization https://ift.tt/2YicvKm (I made a video for you) There is none directly downloadable links in this Channel All the links are refered to official website. This Channel only indexs the products and links. The products information and the links are only used to spread them. Our Channel makes the products seen by more customers. Everyday there is new buyers reaching to official page from our channel If you do not want your products listing in our Channel , or want to delete them, please let us know. We will take them down as soon as possiable. Feel free to contact us https://ift.tt/2ukKo1Y

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  • I wish i could go back to the nineties.

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  • Plantation Prince by Steve Yagyagan (via Vimeo)

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  • When Liana offers to turn herself and her husband Clay into birds, they’re faced with a difficult choice as they soon realize that shapeshifting doesn’t come without sacrifices. Official Selection Flux Screening Series Official Selection Pasadena International Film Festival 2020 Written & Directed by: Sean Pecknold Starring: Liana Jegers & Clay Hickson Music & Sound by: Antfood Animation by: Lessa Millet Animation by: Sean Pecknold Art Assistant & Puppets: Jordan Tager Assistant Camera: Mike Dorsey Colorist: Kaitlyn Batistelli Special Thanks: Ethos, Antfood, Brittany Carson, On The Mark, Adi Goodrich Inspired by Chicken the red eclectus parrot.

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